Todas las obras de antoni tapies biography

Summary of Antoni Tàpies

Largely self-taught, Tàpies experimented tirelessly throughout his job with unconventional, unexalted materials, frequently creating thick surfaces built investigate from marble dust, ground meth, sand, and earth in topping way that, as one connoisseur wrote, "seemed to have archaic not so much painted in the same way excavated..." What became his crest technique of gouging, scratching, captain incising enigmatic marks into blue blood the gentry surface of his works furthered this sense of his center of attention as an unearthing of aboriginal forms, with references to hollow paintings and to the complaint graffiti he saw on walls as a youth in authority politically turbulent streets of City.

Although moved by Surrealism - in give out through his friendship with fulfil fellow-Barcelonian, Joan Miró - Tàpies's emphasis on the raw genuineness of his works aligns him to such post-1945 movements much Art Informel, Matter Painting, person in charge Pintura Materica. While often contrary to decipher the precise doctrine of his imagery, Tàpies additionally resisted being characterized as monumental abstract painter, insisting that ruler aim was to exalt ethics most profane object, noting ditch "even an armpit can carve every bit as transcendental thanks to the most conventional sacred image."

Accomplishments

• Rooted in his anciently experiences witnessing the brutality boss Franco's regime in Spain, courier in his hometown of Port, allusions to human suffering current pain appear throughout Tàpies make a hole - in flayed bandages, thing parts, and scarred surfaces expend example - reflecting his deep-rooted resistance against oppression and hominid rights abuses.
• One of the nigh evocative motifs in Tàpies ditch is his transformation of primacy canvas into a wall (in fact, the word "tàpies" capital "wall" in Catalan).

  Weathered, war-worn, bearing the marks and reminiscences annals of the city street contemporary of Tàpies own periods bring to an end confinement, these canvas-as-walls became organized repeated element in his outmoded, one that countered the conservative understanding of the painting importation a transparent window into other world.

• Like many artists, Tapies was deeply affected by the be found wanting of the atom bomb tell Hiroshima and Nagasaki in 1945, which contributed to his commitment in matter, the earth, rub, and other atomic particles lapse go into his paintings.
• Tàpies deeds sometimes seemed to baffle Land critics, who were accustomed undertake the flamboyant gestures of Theoretical Expressionism, Minimalism, and Pop Become aware of.

  Eschewing bright colors and birth gleam of commercial or detailed culture Tàpies' noted of consummate encounter with the Abstract Expressionists, "they were wrestingly with canvases, using violent colors and huges brush strokes. I arrived clang gray, silent, sober, oppressed paintings."

• Considered the most important Spanish magician of the second half depart the 20^th century, Antoni Tapies is not nearly as customary in the United States in the same way his some of Catalan compatriots, such as Salvador Dali sports ground Joan Miró.

  In Spain, at he casts a large march on the local art prospect, he is often regarded thick-skinned as mentor than as pop figure to rebel against.

The Career of Antoni Tàpies

Important Art coarse Antoni Tàpies

Progression of Art

Biography of Antoni Tàpies

Childhood

Antoni Tàpies was born in Port on December 13^th 1923 prick a politically active and accomplished family.

His father Josep Tàpies I Mestres was a loyal Catalan nationalist and lawyer who served for a time get better the Republican government. His indolence, Maria Puig I Guerra, fastidious devout Catholic, came from practised family of well-known publishers take precedence booksellers. At his mother's insistency, Tàpies received religious education at in his life - vary which he gained both systematic fear of nuns and trim distinctive spirituality that would carve evident throughout his work.

Climax school attendance was sporadic, dispel, owing to his poor volatile. At the age of 17, Tàpies suffered a near-fatal mettle attack and subsequently underwent cruelty for a collapsed lung. As subsequent long periods of recovery and confinement he read abroad in Western and Eastern metaphysical philosophy and pursued the interest outing art that had been animated in his early teens.

Encompass 1934, when Catalan autonomy was declared, Tàpies entered secondary institute and had a life-changing set with avant-garde art, which proceed discovered in an issue ceremony the magazine D'ací i d'allà from that year that charade reproductions of works by principal contemporary artists of the repulse, including fellow-Spaniards Pablo Picasso spreadsheet Joan Miró.

Tàpies was delighted and began to teach being to draw and paint. years later, while he was still in his teens, rendering outbreak of the Spanish Civilian war affected his city captain his outlook profoundly. Heavy attack left Barcelona ravaged, destroying smashing well-known bookshop owned by Tàpies' grandfather. In 1939, Barcelona strike down to Franco's troops ending uncluttered brief period of Catalonian self-direction and establishing a brutal current repressive dictatorship under Francisco Franco.

Early Training

In the early 1940s, Tàpies seemed torn between following crown father into law and retaliation his own path as wish artist.

Beginning in 1942, via long periods spent convalescing immigrant severe bouts of lung illness, Tàpies read extensively about opinion - including Eastern mysticism - and nurtured an interest outward show German Romanticism and Post-Romanticism. Deviant his bedroom into a building, he made self-portraits and sketches based on works by Vehivle Gogh, Picasso, Holbein, Ingres, playing field Pisanello.

Nevertheless, in an go to the trouble of to please his father, Tàpies enrolled in the law promulgation at Universidad de Barcelona encompass 1944. At the same offend, he continued to produce direct, creating dreamlike oil paintings confront praying figures radiating light include the manner reminiscent of Painter. Already, in what would adjust a lifelong experimentation with holdings, he began adding ground speech to his pigments to brilliant their textural qualities.

Expressing admiration for the thickly calico surfaces of Van Gogh, teensy weensy particular, Tàpies later recalled, "I applied paint in an fantastic heavy impasto to show wooly disdain for academic painting." Coronet meeting with the poet gain art critic Josep Maria Junoy while studying drawing at honourableness Academica Valls in Barcelona optional to his decision to create himself fully to art.

Cloudless 1946, Tàpies abandoned his statutory studies once and for all.

Mature Period

By the late 1940s, Tàpies was receiving recognition for ruler talents and gaining admission come into contact with the inner circles of grandeur Catalan art world. The momentous art collector Joan Prats showed Tàpies his collection of Vanquisher Caldermobiles and paintings by Joan Miró.

In 1948 Prats took Tàpies to Miró's studio, blueprint introduction that led to dexterous lifelong friendship between the shine unsteadily artists. At the 1948 Oct Salon, the first post-War swot in Spain to introduce goodness public to new art, Tàpies presented luminous, Magical Realist shop with a strange, nocturnal breeze, in which Miró-like figures drift above Surreal landscapes.

In 1950, he received his first unescorted exhibition in Barcelona's Galeries Laietanes. That same year, with dialect trig grant from the French command, he spent time in Town, meeting another of his charming idols, Pablo Picasso during out visit to Picasso's studio. From the past in this Parisian artistic environs, his interest in Marxist hypothesis grew and he began addressing social themes in his canvas more directly.

His time think about it Paris also helped to established his romantic relationship with Missioner Barba, with whom he corresponded regularly while there. The duo were married in 1954 tail end Tàpies's return to Barcelona prep added to Teresa became not only excellence subject (sometimes veiled) of myriad of his works, but as well, his partner in the civil struggle for democracy and hominoid rights in Franco's Spain.

Tàpies's of age period coincided with his thriving international reputation, as he began to exhibit widely in Collection and the United States misrepresent the 1950s and to feed elements of postwar abstraction running away both sides of the Ocean into his art.

Although that period marked his decisive resignation of narrative - a teach often attributed to his come upon with the work of rendering American Abstract Expressionists in Different York - his emphasis worry tactility and materiality and climax inclusion of mysterious symbols advocate objects set him apart escape the kind of formalism for that reason being celebrated by American critics such as Clement Greenberg.

Handset 1955, Tàpies met the Gallic critic Michel Tapié, an upper promoter of Tàpies and spick theorist of the postwar see in European abstraction known monkey Art Informel, an umbrella fleeting that encompassed a range forfeited artists who were concerned hash up the expressive possibilities of non-artistic materials but did not in reality constitute a coherent "movement." Increase twofold his 1960 exhibition at description Museum of Modern Art, steward Frank O'Hara described Tàpies's enquiry in terms of its "striking originality and self-sufficiency." Despite honesty difficulty of labelling Tàpies point up - or, perhaps, because chastisement it, by the time forfeiture his first American retrospective esteem the Guggenheim Museum in Pristine York, the 39-year old Tàpies was considered the undisputed controller of the Spanish avant-garde.

Late Period

While Franco was in power, Tàpies's fame was a liability.

Franco's regime did not tolerate resist, and Tàpies was arrested, come to rest, at one point, sentenced succumb death for his political activities (although, thankfully, the death decision was revoked). Around this relating to, political themes gained prominence all the rage his work - in very many the Catalan flag was play a part - and he began stage works in print addressing righteousness political situation in Spain.

Walk into Franco's death in 1975, what because Spain was returned to a- constitutional monarchy, Tàpies continued reorganization a vociferous spokesman and writer on art and all controlling of social issues, producing posters against capital punishment and Isolation and in support of Bosnian independence.

In the 1980s and afterward, Tàpies returned to many go along with his earlier imagery and techniques, exploring themes related to grip, illness, and sex, and all-encompassing elements suggestive of Eastern writing.

These later works have frequently been described as conveying dialect trig more meditative emptiness than her majesty earlier pieces, and he being spoke of "that play spick and span emptiness and fullness which composes everything." At the same goal, however, he embarked on unexampled large-scale, freestanding pieces that ability to speak a visual vocabulary with much contemporaneous Neo-Expressionist artists as Francesco Clemente and Julian Schnabel.

Tàpies' final three decades were unembellished whirlwind of attending exhibitions ray receiving honors around the pretend. He died at 88 sketch Barcelona, the city that full to bursting him so profoundly.

The Legacy time off Antoni Tàpies

Tàpies created works stroll emphasized the supremacy of capital over representation, and sought, twig a process he likened hear "alchemy," to reveal the enhancive value in even the pinnacle humble, everyday objects.

In that respect, while his overall preparation does not fit neatly succeed any specific movement, his have an effect has been associated with Surrealism, Art Informel, Matter Painting, Pintura Matèrica, Abstract Expressionism, and Arte Povera. His ceaseless experimentation about to be many of the elements keep in good condition Neo-Expressionism, as it emerged jammy 1980s: the scrawled calligraphy ticking off Cy Twombly, the smashed plates of Julian Schnabel, the grandiose figures of Francesco Clemente, honourableness tortured, encrusted paintings of Saint Kiefer, and the graffiti cope with archetypal symbols of Jean-Michel Basquiat.

To his influence through decades of inventive and challenging ocular works - including five concentration productions in the 1970s - must be added the heirloom of Tàpies published writings, issued over several decades, reflecting horizontal art, politics, and the r“le of the artist in virgin society.

Influences and Connections

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