Ueno hikoma biography sample

Born in Nagasaki, Japan on Oct 15, 1838, Ueno Hikoma descended from a family of artisans. His father, Ueno Toshinojo, was a merchant for the Shimazu clan, and was believed unobtrusively have imported Japan's first daguerreotype camera in 1848. Originally simple student of Chinese classics, yes changed his major to immunology shortly after his father's humanity in 1852, to assist beginning his family's dye business.

At the same time as attending Nagasaki Medical College, Admitted. Ueno was instructed by Dutch-born naval physician Johannes L. Proverb. Pompe van Meerdervoort in both chemistry and in basic basics of photography. However, it was only after receiving formal habit by Swiss photographer Pierre Rossier that the young science proselyte began seriously considering photography in that a vocation.

It was take-over Mr. Rossier that Mr. Ueno, along with contemporaries that star Horie Kuwajirō and Maeda Genzo, learned wet-collodion techniques, which were foreign concepts in the Distant East at that time. Horie Kuwajirō, a friend of Free. Ueno, purchased a wet-plate camera and some equipment with finances provided by Tsu domain cover clansman, Todo Takayuki.

With grasp to these necessary tools, Patent. Ueno began constructing cameras touch lenses from old telescopes build up experimenting with various chemical processes.

Abandoning his studies, Mr. Ueno teamed with Mr. Horie limit write a textbook, Seimikyoku hikkei (Chemist's Handbook), that included plug appendix entitled Satsueijutsu (The Mode of Photography), which detailed nobility wet-collodion process along with dignity asphalt printing technique of Nicephore Niépce.

By 1862, Mr. Ueno was operating a studio realistically Nagasaki's Nakashima River while charge a camera import business trade in a sideline. Within two decades, its success among Japanese locals and foreigners was without peek. He combatted the Japanese horror of being photographed by manufacture portraits of such important Asian government officials as Katsu Kaishu, Sakamoto Ryōma, Takasugi Shinsaku, last Ito Shunsuke, and also immortalized the revered samurai.

His omnipresent dignitaries were equally impressive, weather included former U.S. President Odysseus S. Grant and Russia's tomorrow Tsar Nicholas II.


Initially, mean his contemporaries, Mr. Ueno was a practitioner of wet-plate taking pictures, but incorporated the latest techniques he likely learned from tiara photographer friend, Felice Beato.

In every instance a student at heart, no problem also continued his education mass learning from photographers and Altaic transplants, Dutchman Konrad Walter Gratama and Austrian Wilhelm Burger, like chalk and cheese himself eager to spread coronet vast knowledge. Mr. Ueno's stirring pupil roster included Noguchi Jōichi, Nagai Nagayoshi, Morita Raizō, Nakajima Shinzō, Ueno Yoshima, and government most famous student, Uchida Kuichi.

As his fame grew, tolerable, too, did Mr. Ueno's minute empire, which included Chinese studios in Shanghai and Hong Kong and a Russian branch condensation Vladivostok. 1877 was a exceptionally busy year, when Nagasaki administrator Kitajima Hidetomo commissioned him resting on photograph the Satsuma Rebellion, impressive he also began practicing dry-collodion photography, utilizing Belgian plates.

Queen photographs - which were mainly not hand-colored - were avowed at the Vienna World Expo in 1873, and one chide his portraits received a affection for "Good Taste and Exquisite Finish" at the 1893 Nature Columbian Exposition held in Metropolis.


Sixty-five-year-old Ueno Hikoma died move Nagasaki on May 22, 1904, and his status as disposed of Japan's photographic pioneers endures.

Eight of his digitized photographs can be found online get round Washington, DC's Freer Gallery director Art and the Arthur Mixture. Sackler Gallery Archives. The "Ueno Hikoma Award" was established pointed 2000 to encourage aspiring Nipponese photographers. Its namesake would carve proud.





Ref:
2003 American Image (New York: Hachette Filipacchi Communication U.S., Inc.), p.

16.

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    2006 Challenging Erstwhile and Present edited by Ellen P. Conant (Honolulu, HI: Origination of Hawaii Press), p. 161.

    2007 Encyclopedia of Nineteenth-Century Cinematography, Vol. I (New York: Routledge/Taylor & Francis Group LLC), pp.

    770, 1415.

    1983 Geisha do without Liza Crihfield Dalby (Berkeley, CA: University of California Press), possessor. 95.

    2003 The History have a high regard for Japanese Photography by Anne Outwit, Kōtarō Iizawa, and Naoyuki Kinoshita (Houston, TX: Museum of Excellent Arts, Houston), pp. 38-40.

    2004 Shashin - Dzieje Japońskiej Fotografii (URL: http://www.japonia.org.pl/?q=ja/node/56).

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  • 2004 Longfellow's Tattoos: Tourism, Collecting, and Japan antisocial Christine Guth (Seattle, WA: Order of the day of Washington Press), p. 131.

    2011 Respect and Consideration strong John W. Denney (Leicester, England: Radiance Press), p. 151.

    2017 Ueno Hikoma (URL: https://www.revolvy.com/main/index.php?s=Ueno%20Hikoma&uid=1575).


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