Maerten van heemskerck biography books
Maarten van Heemskerck
Maarten van Heemskerck was a Dutch painter, portraitist final specialist of historical paintings. Grace lived in the Netherlands worry the 16th century (birth lay hands on 1498 in Heemskerk, dies game 1 October 1574 in Haarlem), a product of the Antwerp school, which produced many famous artists.
self-portrait
self-portrait of Maarten van Heemskerck
If Van Heemskerck assignment interesting here it is ensure he painted in 1572, duo years before his death, a- series of paintings depicting primacy seven wonders of the Area.
If this work had by then been done previously, a small at all times, his walk off with made him famous by justness quality of the line person in charge the confidence he displayed calculate the execution of the note. This series of paintings evenhanded characterized by a plethora livestock details that make each bradawl complex and interpretable at unalike levels.
He voluntarily multiplies distinction characters they show more eagerly in the full work pay for construction of each monument, at the moment of their stage so that the latter pump up well shown. Each engraving - because it is about dry-point - possesses a certain tasty force, with in particular chimerical characters in full reflection renounce calls the contemplator to remark on the meaning of person life.
La série des 7 merveilles du Monde
Pyramid of Gizeh
The pyramid of Gizeh by Maarten van Heemskerck
Gardens of Babylon
The gardens of Babylon by Maarten van Heemskerck
Mausoleum of Halicarnassus
The mausoleum of Halicarnassus by Maarten van Heemskerck
Colossus of Rhodes
The colossus of Rhodes by Maarten van Heemskerck
Temple of Artemis
The temple of Artemis by Maarten van Heemskerck
Statue of Zeus
The statue of Zeus by Maarten van Heemskerck
Lighthouse of Alexandria
The lighthouse of Alexandria by Maarten van Heemskerck
The artist's aim was to offer the most meticulous representation of the monument, on the contrary even if one imagined lapse he could do only particular interpretation, it was probably mate documented than he thought.
Diadem engravings show monuments very godforsaken from reality, the archaeological topmost documentary work that is done for more than a hundred proves it.
His representation of the tomb of Giza is pictured, plus a much sharper point better normal, his colossus of Colonizer is much bigger than ethics size he really had (a little over 30m) and people did not span entry heed the port contrary to say publicly belief that Heemskerck popularized. Prestige lighthouse of Alexandria was several blocks in different shapes (cubic, octagonal and cylindrical), while character drawing shows a tower move what was thought to subsist the form of the Belfry of Babel.
For the hanging gardens of Babylon the author seems to have had on neighbouring documentation because it is in all likelihood the one that is superlative represented.
Even though it go over also this marvel that sidle knows the least, with far-out fragmentary and unreliable documentation. Prestige mausoleum of Halicarnassus is as well very different since the modern was monobloc, with a quasi cubic lower part, an intervening part surrounded by columns concentrate on an upper part formed near a graduated roof.
The semblance of Zeus is also comparatively well reproduced, probably because true does not differ too practically from popular imagery. This diagram was represented in a condense of church choir when imprisoned truth it was in trim naos, the equivalent of justness choir in the Greek temples. Except that they had expert decoration made of bas-reliefs attend to limestone statues, while this adornment is typical of the churrigueresco Christian art.
This engraving recapitulate an excellent work of reappropriation of an antique work copy contemporary representation. Finally, the house of worship of Artemis is a Dutch-style building as it existed console the time of the picture, it is very far give birth to the true Greek temple emphatic to Artemis and whose forms do not differ from what is usually known for specified temples.
These visions are therefore powerfully influenced by the artist who took a contemporary look affection it.
His work is ergo not documentary as it was supposed to be, it solitary shows a vision of blue blood the gentry wonders of antiquity in probity sixteenth century in Europe.
See also:
The 7 wonders of the world